I’ve been thinking a lot about the new Guns N’ Roses album “Chinese Democracy.” In fact since I’ve heard it, I’ve been totally obsessed. This album represents a side of our society and culture that fascinates me. I’m not exactly sure what this is, or how to describe it … I can’t quite pin-point it and I’ve been trying to define it for years. It has to do with wealth, fame, ego, decadence and power, seeing those things rise up, consume, and then destroy a person. It’s as if Rome were a man and it’s entire history were compressed into one lifetime, and then being able to sit back and watch it all go down with a box of popcorn.
I’ve read reviews of Chinese Democracy with some pretty extreme viewpoints that are both positive and negative written by tastemakers and credible critics, some of whose analysis has been fascinating. This album has been more anticipated than probably any other musical release in modern times. It has also been the butt of countless jokes for nearly a decade. In fact, it’s completion had become such a metaphor for the impossible, that Dr Pepper said that it would give everyone in the country a free soda if it was ever actually released. Not even the Eagles could whip up this kind of fervor in the music press, and when Hell did freeze over, and they did reform, it was only a blip on the radar. I’d say that quite possibly the only record that could generate more anticipation that Chinese Democracy would be a new Beatles record.
Those of you who know me know that I enjoy nothing more than spectacular failure. I’m not talking about a kick in the nuts, or a gag reel of bloopers, I’m talking about talent and massive ambition driven awry by delusions of self importance and grandeur. A fall from grace, blaze of glory kind of failure. Self inflicted epic failure. It pretty much goes without saying that I think this record is absolutely terrible. In my mind it is practically unlistenable, a parody of itself, and is a gold medal standard of total shit. In other words I love it. It’s so bad it makes my arms go numb and I can only listen to about five songs in a row before I think I’m going to pass out. It is so impressively lousy that my head starts to spin thinking about everything that is terrible about it, and then a new part comes in, or another song begins, and whatever I was thinking was the pinnacle of terribleness gets trumped by something so insanely terrible that not only am I totally blindsided, I am overcome with an intense wave of nausea and delight.
But all of that is irrelevant, there are thousands of hilarious reviews that are scathing in their attacks on Axl and GnR, as well as thousands that say this record is brilliant, declaring Axl to be a genius and the king of rock. I don’t need to write another one of those, I can’t compete or add anything new or relevant to that dialogue, which brings me to my actual point: Understanding RELEVANCE. Here’s the thing for me about Chinese Democracy, it is totally irrelevant. It absolutely does not need to exist, and contributes nothing to music or culture aside from it being a quintessential example of everything that music, and the music business has been perverted to represent. Because of his massive delusion Axl has completely lost sight of his own relevance within the music world.
Guns N’ Roses was the biggest band in the world in 1989, they were untouchable and exciting as a more raw and, dare I say it, “real” band coming out of a sea of superficial and manufactured hard rock bands. Established bands like Motley Crüe and Skid Row tried to follow suit by losing the makeup and getting grittier. But GnR ruled the impostors and the rubes, and the music business limped along for a couple more years but things seemed stagnant and rehashed, never quite ringing true. Then Nirvana took the world by storm and totally turned everything on it’s head, making the entire genre of hard rock and everything on MTV look ridiculous and contrived. Of course the follow up wave of contrived impersonators trying to jump on the grunge came next, but Guns N’ Roses at that point seemed to more or less begin their decline into absurdity and irrelevance.
Confusing complex arrangements and elaborate instrumentation as the qualities of good song writing they made their songs longer and more orchestral, while simultaneously leaving behind or confusing the fans who loved them for being a kick ass rock band. While Nirvana destroyed and redefined popular music, GnR refused to let go of the past, and in some kind of perverse effort to prove everyone wrong, tried to do more of what was being wholeheartedly rejected by music fans everywhere. Like the crazed Nero playing a fiddle on the burning rooftops of Rome, Axl went down on his own ship of fools releasing “Use your Illusion 1 & 2,” a massive, decadent failure that was a lavish attempt at trying to continue down the path of what had been established before. It was of course a total flop.
And that was pretty much it. The band went on permanent hiatus, and eventually all original members left or were fired. Axl continued to soldier on in a fortress of solitude for nearly 13 years, writing the follow up record that was to become Chinese Democracy. In the time that passed, the promise of it’s release became almost mythical.
All of this brings me to the question, “WHY?” Why did Axl have to do this, why did it take so long? Why is so intensely terrible? The only answer I can come up with is that it could not be any different. Because it had to be this way. It is Axl’s destiny to do this. He could not release another “Appetite for Destruction.” He could not adapt to the changes around him and write an album that sounds more like contemporary modern rock. He could not imitate that which he despises, that which brought him down from grace, that which belittled his prowess and ended his reign of heavy metal dictatorship.
He could only do what he knew how to do. He had to rebuild his empire with the tools that he had, and he had to build it bigger, and better, and brighter, and louder than ever before. Not making another record would be admitting defeat, admitting that everything he stood for was ridiculous. Writing an album that did not sound like this would be a surrender as well by admitting that he needed to change. Unfortunately his only option was to write an album that made him look like the most insane, out of touch and egotistical person making music in the world today. In the process of doing so he has created the biggest most elaborate and decadent tribute to himself that he possibly could. He has constructed his own spectacular tomb.
Recently I read a book called “Bunker Archeology” the thesis of which was that the very act of Nazi Germany constructing it’s fortified Atlantic Wall of bunkers was the symbol of their eminent defeat. This impenetrable network of fortresses was literally concrete proof of the Nazis’ arrogant pigheadedness. By not acknowledging, or accepting the changing tactics and technology of warfare, they used a massive amount of crucial war time resources to build a elaborate series of structures that were immediately obsolete. This miscalculation and misunderstanding of what they were truly up against, and of how the events would unfold, was their ultimate demise. In many ways Chinese Democracy suffers from some similar thinking. Holed up in a bunker surrounded by yes-men, Axl arrogantly denied the changing world around him and for thirteen delusional and paranoid years he recorded Chinese Democracy.
While Nirvana permanently shifted the trajectory of modern rock and the music business, the internet has actually destroyed it. The paradigm of huge rock stars and decadent major labels has been totally crushed. Chinese Democracy is the great blitzkrieg of the last man standing from the old regime trying to reclaim, and give validity to a business model and system that can no longer function. The band that was the prodigal son of this system, who was toppled a surprise attack from an unforeseen front, is now delivering the final death blow to the very machine that built it in the first place. Axl’s magnum opus is a huge useless fortress built to defend an empire that nobody cares about anymore, and he’s too stubborn and self obsessed to realize it.
All of this is just part of the reason that I’m obsessed with Chinese Democracy. It is awe inspiring in it’s egotistical delusion and epic in it’s failure. Axl has unintentionally given me one of the greatest gifts I could ever receive. It makes me sick to my stomach and I love it.